This blog is attached to the course at BYU entitled Ancient Drama and Performance (Classical Civ 340 R 002). On this blog we will document our journey as choose material from the corpus of Greek and Roman drama to perform at the end of winter semester 2014. Syllabus: https://learningsuite.byu.edu/view/lRa8GRlX9-gr.html
Friday, February 21, 2014
Authenticity
In class we have been discussing the idea of authenticity in
our performance and how there are many different kinds of authenticity. When I
think if adaptation I think of being true to the original meaning of the
author. I tend to appreciate the original when it comes to most things,
although I have realized that things are not always so simple when it comes to
adaptation. Can we truly know what the original intent of the author was? And
in adapting their work, do we think that we are being true to the original without
considering how the audience has changed and the author might not have done it
the same way for our audience? On the other hand, if we go about changing someone’s
work to fit our needs how far before we hijack their work and destroy a good
thing? As someone said to me recently ‘Who are we to change it?’ To that I have
concluded, especially in the case of Plautus, we are artists! Plautus himself
and many others made it their business to take works from others and redo them to
fit their own ideas. Humanity has been reinventing its entertainment with old
ideas since the beginning. It’s what we do. And as we have said in class, an important
part of being authentic is being true to ourselves. Perhaps Plautus is turning
in his grave with all of the things we changed in his play. But isn’t that
exactly what he did with this myth in the first place? With the changes I feel
like we will be even truer to Plautus’s work because we will be entertaining
instead of simply staging his play.
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